thank you so much ahhh i have the best followers ever :3
thank you, i needed to hear that today :)
aaand i switched Jim’s hands again. darn.
will I ever learn to check these things?
The Universal Constant - pages 36 and 37
previous - next
(well, as you can see the story is coming to an end, so the next update will probably be the last one ever. and contain slightly more than 2 pages. yep. that’s what i will do)
TUC update in a few hoursss ~
Spock had risked his life over and over to save Jim’s throughout their time together, just as Jim had done for him. And now, as the crimson light of red alert had overtaken the building and bright white emergency beacons flashed, he stared down at this pendant in his hand and thought how this risk was more than justifiable. It was necessary.
A story about love, loyalty, healing, and the pendant Spock refused to leave behind.
I HAVE to recommend this! Even at the risk of reading it again and ending up sobbing into my pillow.
Incredible read, especially if you love old married Space Husbands and have a bone to pick with jarjar abrams for how he treated Spock Prime in the reboot.
It’s a Spock Prime fix-it story and it had me on the verge of tears after the prologue, as fix-it stories tend to do.
With 18.369 words it has the perfect length for a longer bus ride or a bedtime story and the way the story unfolds is marvelous. The characterization is perfect down to a T and I should probably shut up about it, before I start spoiling the content.
Just go ahead, click on the picture and read it, if you are in the mood to be amazed. Leave kudos or a comment, if you like.
i made a cover for this incredible work, click on the picture to see it!
Tumblr doesn’t send anymore asks if you send a “.” and a letter or word without a space right after it.
Example: H…hello (doesn’t send it) - H… hello (will send it)
It says it sends the ask but it doesn’t. My gf and I were trying since 2 days now and we just found out what the problem was.
Pass it on.
This explains SO MUCH GRRGHH
THERE IT IS OH MY GOD
aww this is so nice! :3 thank you, feel yourself at home
#Jim always looks at Spock like he’s imagining the possibilities #like he’s thinking ‘what if…’ #’what if he wasn’t chained by his heritage?’ #’what if he said how he felt?’ #’what if ~I~ said how I felt?’ #’what if I asked him to dinner and told him to put aside business for the night?’ #’what if he started to leave for his quarters and I asked him to stay?’ #’what if we’re good together and even better closer?’ #’…what if I never find out?’
and when the 5 year mission is about to end he decides to act on it
and spock gets overwhelmed and scared
and he leaves
its been a long time since i made a drawing of these two idiots
Amanda teaching Sarek how to waltz :3
(a comission i did for lovely Megan. thank you!)
*STANDARD DISCLAIMER* I’m not handing down life lessons or trying to assert that there’s a ‘correct way’ to draw. I’m just trying to make perspective more approachable for thems that want to tackle it.
Okay. Let’s do this.
1. Understand what perspective is and what it’s for. Stay away from rulers while you get comfortable.
Everyone struggles with perspective because 1. it’s not well or widely taught and 2. artists tend to see linear perspective as a set of rules rather than a set of tools.
Linear perspective is a TOOL we use to create and depict SPACE. That’s it. That’s all it is. Your goal is not to draw in ‘accurate linear perspective.’ Stay away from the ruler and precision for as long as you can. Your goal is to create the illusion of three-dimensional space on a two-dimensional surface. Perspective is just a tool to help you construct and correct that space.
2. Know in your bones that you can ONLY learn to draw in perspective through physical practice. There is no other way.
Grab some paper and draw with me. If you match me drawing for drawing you will be more fluent in linear perspective and spatial drawing by the end of this post. Unfortunately if you don’t, you won’t be.
3. Sketch around in rough perspective. NO RULERS.
So let’s make some simple space. let’s start with a two dimensional surface…
K. We have a flat, 2D surface. Let’s create some depth by putting a vanishing point in the middle, and having parallel lines converge towards it. Make a gridded plane inside that space.
Good. Let’s make that space meaningful by adding a dude and a road or something. (Again, parallel ‘depth lines’ will converge into the vanishing point along the horizon)
And now we have the rough illusion of some space. I didn’t use any rulers, and it’s not perfectly accurate, but we got our depth from that vanishing point right in the middle of the page. And since we have a little dude in there, we’ve got human scale, which allows us to gauge the size of the space we’ve created. Gives it meaning.
You need people or cars or some recognizable, human-scale THING in there as a frame of reference or your space won’t mean much to your viewer. Watch. We can make that same basic space a whole lot bigger like this:
Same vanishing point in the same place, completely different scale, and a totally different feeling of space. Cool, right?
3. Sketch around in rough perspective MORE. STAY LOOSE.
See what sort of spaces and feelings you can create with vanishing points and gridded planes on a post-it or something. Super small, super rough. Feel it out. Pick a vanishing point or lay out a grid in perspective, and MAKE SOME SPACE. Do it. Draw, I don’t know, a lady and her dog in a desert. I’ll do it, too.
Good job. LOOK AT YOU creating the illusion of space! This is how you’ll thumbnail and plan anything you want to draw in space. All of my drawings start this way. I think about how I want the viewer to feel and then play around with space and composition until I find something that works.
Once you have a sketch you like, and space that you feel, THEN you can take out the ruler and make it more accurate and convincing.
4. Draw environments from life.
I cannot stress this enough. Draw the world around you, try to draw the shapes and angles as you see them, and you will ‘get’ how and why perspective is used. Use something permanent so that you’ll move fast and commit. I usually use black prismacolor pencil.
You’ll learn or reinforce something with every drawing. I learned a lot about multiple vanishing points from this drawing:
Learned from the receding, winding space I tired to draw here:
Layered, interior spaces:
You get the idea.
Life drawing will also help you develop your own shorthand and language for depicting textures, materials, details, natural and architectural features, etc. Do it. Do it all the time. Go to pretty or interesting places just to draw them.
Take a second and just draw a quick sketch of whatever room you’re in.
5. Perspective in formal Illustration: apply what you’ve learned.
1. I always start with research. For this particular location I looked at Angkor Wat.
2. Once I had enough reference, I did a bunch of little thumbnail sketches with a very loose sense of space and picked the one I liked best.
3. Scanned the thumbnail and drew a little more clearly over it. Worked out the rough space before using formal perspective.
4. Reinforced the space with formal perspective. I dropped in pre-made vanishing points over my drawing. If I were drawing in real media here’s where I’d get out the ruler to sketch in some accurate space.
5. Drew the damn thing. Because I do my research, draw from life, and am comfortable drawing in perspective, I can wing it. I just sort of ‘build’ the ruins freehand in the space I’ve established, keeping it more or less accurate, experimenting and playing with details along the way. I erase a lot, too, both in PS and when drawing in pencil. Keeps it fun for me.
And that’s what I know about composition and perspective. If you want more formal instruction on perspective and it’s uses, you can use John Buscema’s How to Draw Comics the Marvel Way. Or If you want to get really intense about it, Andrew Loomis can help you.